I Love Typography Ltd
quality curated fonts
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Latest posts
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Steven Heller’s Font of the Month: Dez Bollardian
Read the book, Typographic Firsts At long last, I’ve found a newly conceived typeface that allows me to be accessible and expressive all within the same family. This is a face that can be demonstrative and demure all at the same time. It is an all-purpose sans that can be used…
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Font Faces: Stefan Hattenbach
Read the book, Typographic Firsts Stefan Hattenbach was born in Stockholm, Sweden, in 1961. Although he’s moved around a lot, with longer stays in Budapest (1993–94) and San Francisco (2005–06), he’s been faithful and has always returned to Stockholm. At the age of eighteen, he…
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Steven Heller’s Font of the Month: Ege Basalt
Read the book, Typographic Firsts I’ve forever fancied fat faces. And not just for the alliteration. And I’ve found the perfect weight in a comparatively new design with vintage flavor: the revival of Ege Basalt family featuring five fonts (Bold, ExtraBold, Heavy, Medium, and…
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Structure in Type Design
Read the book, Typographic Firsts The legendary type designer Adrian Frutiger once described an epiphany he had: “When I put my pen to a blank sheet, black isn’t added, but rather the white sheet is deprived of light. […] Thus, I also grasped that the empty spaces are the most…
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Steven Heller’s Font of the Month: Zinkraft
Read the book, Typographic Firsts Massimo Vignelli was canonically adamant that a contemporary designer only requires a handful of typefaces and should “trash the rest.” He was talking about five to be exact: Helvetica, Bodoni, Futura, Century Expanded, and Times New Roman. He…