Critical Art Ensemble
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Latest posts
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Podemos Confair Los Unos en Los Otros, 2017
Tactical Media Workshop. Hannah Arendt Institute. Havana, Cuba, 2017. With Tania Brugera, Claire Penetcost, and Brian Holmes. This was the first time a CAE workshop opened with a reading of the law we were potentially breaking by doing this event […]
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What Is To Be Done? 2018
Machine codes, directives, and algorithms increasingly infiltrate and compromise the boundaries of the flesh and the horizons of consciousness, allowing these trespassers time to reconfigure and automate once-willful decisions and to colonize the imagination in order to guide…
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Environmental Triage: An Experiment in Democracy and Necropolitics, 2018
Recently, CAE has been studying necropolitics—the organization and administration of death. During this time we have become interested in the concept of triage as a fundamental organizing principle for deciding who lives and who dies when there are numerous injuries […]
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Necopolitics, 2018
Aesthetics, Necropolitics, and Environmental Struggle Acknowledgments Preface The Indecipherable and the Indeterminate Introduction The Demonic Effect of a Fully Developed Idea Chapter 1 Necropolitics and the Dark Comedy of the Posthuman Chapter 2 Anthropocentrism Reconsidered…
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Human Sacrifice and Its Representation, 2013
A pamphlet commissioned by the Philip Feldman Gallery at the Pacific Northwest College of Art. Download Human Sacrifice and its Representation
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The Concerns of a Repentant Galtonian, 2012
A pamphlet on the misuse of biologically based analogies and rhetorics over the past century. Download Repentant Galtonian
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Mythic Weapons and State Propaganda, 2009
A pamphlet about how the US government uses weapon systems (real, exaggerated, or fantasized) to scare or calm the public. Commissioned by Printed Matter. Download Mythic Weapons
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Poster Series, 1988-2008
A selection of CAE agitprop and sloganeering from the past 20 years.
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Artist Books, 1988-98
Precious objects designed to insinuate plagiarist texts into cultural institutions.
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Useless Technology, 1994
Designed as a newspaper insert, this project was placed in Sunday papers in auto-dispensers in major cities around the US.