ScreenAnarchy: Interviews
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Latest posts
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Sitges 2026 Interview: VINTAGE VIOLENCE Director Eugene Kotlyarenko on Livestream Villains, Yakuza Honor, and Making Fun of AI
The filmmaker reveals how a shared pair of earbuds inspired a Hitchcock-style chase, and how Japan's meticulous production methods challenged his instincts for improvisation. [ Read the whole post on screenanarchy.com... ]
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YOUR DEAREST, DARKEST FRIEND Interview: Character Actor Legend Ted Raimi on Asking the Real Questions about Horror
The familiar face of many a horror picture takes center stage in his new talk show "for horror insiders only". [ Read the whole post on screenanarchy.com... ]
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Tokyo 2026 Interview: SISTER BROTHER MANHOLE COVER, Milcho Manchevski on Satire and "The Death of Beauty"
Milcho Manchevski discusses the six-country co-production behind the film and the challenge of preserving artistic freedom amid political interference, funding pressures and festival expectations. [ Read the whole post on screenanarchy.com... ]
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Chicago 2026 Interview: THE SPIRAL Writer/Director Paolo Strippoli on the Nobility of Horror and Cinema's Need for Excess
In his review of Paolo Strippoli's new film The Spiral, Martin Tsai writes about how the film presents a "recognizable family drama" that is ruptured by "horror [that] feel[s] like a violation of the film's carefully cultivated normality." In fact, at one point Martin uses the…
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Toronto 2026 Interview: DIARY OF A MAD OLD MAN Director Wayne Wang on Adapting Junichiro Tanizaki, Bringing Chinese and Japanese Stars Together
Director, producer and screenwriter Wayne Wang reflects on desire, ageing and psychological temptation in what may be his final film. [ Read the whole post on screenanarchy.com... ]
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DISCO ITALIANA Interview: Alan Jones Talks Severin's Box Set
Watching movies isn’t always fun if one is a critic but the idea that it should be is a nice one. No matter how seriously we approach the medium of film, no matter how many greatest-films-of-all-time lists are generated, no matter how hard we work at the serious and important…
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FILIPIÑANA Interview: Rafael Manuel Talks the Colonial Legacy of the Philippines
Also: How he works between different languages, actors and non-actors, and the film's particular visual form. Jorrybell Agoto delivers an understated performance as a marginalised "tee-girl" in this Filipino debut feature. [ Read the whole post on screenanarchy.com... ]
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Locarno 2026: Asia Argento on Failure, Scandal, and Choosing the Road "That Had a Heart"
Honoured with Locarno's Lifetime Achievement Award, Asia Argento reflects on surviving childhood fame, turning trauma into 'Scarlet Diva,' rejecting Hollywood millions and finding meaning in a career. [ Read the whole post on screenanarchy.com... ]
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Locarno 2026 Interview: MANHUNT Director Wayne Wapeemukwa on Humanizing Killers, Settler Mythology, and Cinema Without Sermons
Wayne Wapeemukwa talks about transforming a notorious Canadian killing spree, confronting misogyny and settler mythology, working with nonprofessional actors, and resisting demands that cinema reduce violent characters to moral lessons. [ Read the whole post on…
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Locarno 2026 Interview: KETTICÈ Filmmakers Luca Guadagnino and Giovanni Tortorici on Adolescent Rebellion and Protecting Cinema's Rare Roses
At Locarno, the Palermo-born director and his producer traced a line from adolescent resistance to an endangered idea of cinema, specific, unruly and built from a language of its own. [ Read the whole post on screenanarchy.com... ]
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Locarno 2026 Interview: DONKEY PRINCESS Filmmakers Cristóbal León and Joaquín Cociña Say "Jan Švankmajer Is Our Father"
The acclaimed Chilean duo discusses expanding their handmade cinematic language into live action and drawing on the formative influence of Jan Švankmajer. [ Read the whole post on screenanarchy.com... ]
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Locarno 2026 Interview: NOBODY'S VIOLENCE Filmmaker Denis Côté Talks Mortality and Making Cinema That "Floats"
The Québécois auteur explains how illness shaped the film's grainy 16mm aesthetic, why disciplined production is essential to improvisation, and how critical feedback informs his uncompromising filmmaking. [ Read the whole post on screenanarchy.com... ]
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Locarno 2026 Interview: SIXTEEN MOMENTS OF MY LIFE Filmmaker Albert Serra Discusses Five Cameras, Six Years of Creation, and AI's Limits
The Catalan filmmaker explains why his concert film was an "accidental consequence" of six years of work, why cinematographers must edit, and why artificial intelligence can never be innocent. [ Read the whole post on screenanarchy.com... ]
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Locarno 2026 Interview: OBJET A Filmmaker Ann Oren on Touch and the Ecstasy of Losing Control
Filmmaker and visual artist Ann Oren discusses how her sophomore feature draws on Lacan, touch-starved digital culture, Jan Švankmajer, surgical preparation and the dangerous promise of surrender. [ Read the whole post on screenanarchy.com... ]
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Locarno 2026 Interview: O JACARÉ Filmmaker Basil da Cunha on Gangster Heroes
Plus: a two-year edit and Reboleira's last dance. [ Read the whole post on screenanarchy.com... ]
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Locarno 2026 Interview: THE DAYS OFF Filmmaker Lucila Mariani Discusses Internet Nostalgia
Plus: Reality shifting, and an ominous eclipse. [ Read the whole post on screenanarchy.com... ]
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Locarno 2026 Industry: Marco Perego on Killing the Producer's Ego
Plus: Turning small budgets into freedom, and using AI as a tool, not an auteur. [ Read the whole post on screenanarchy.com... ]
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Locarno 2026: Olivia Wilde on Why Streamers "Bribe" Films Away From Theaters
Plus: Shooting comedy on 35mm, and refusing to "be less." [ Read the whole post on screenanarchy.com... ]
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Locarno 2026: James Gray on Why Every Director "Steals Like Crazy"
Plus: The trap of chasing "fresh" and why AI can't replace human cinema. [ Read the whole post on screenanarchy.com... ]
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Interview: Michel Bonset Wants You To Watch Dutch With Him
Like many other countries, the Netherlands have their own film industry with its own knacks, weirdness, rumors and history. Award-winning Dutch scriptwriter (and sometimes actor) Michel Bonset started a channel on Instagram in which he discusses four Dutch films every week. Old,…