ARTMargins Online
Contemporary art across the evolving global peripheries
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Latest posts
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Roundtable on Solidarity Art Collections: History, Theory, Practice (Aida Bičakčić, ed.)
This ARTMargins Online roundtable is based on the roundtable on solidarity art collections held in September 2025 within the framework of the Working Group Cultures of World Socialism . It provided an opportunity to introduce art collections formed through solidarity donations…
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ARTMargins University of Toronto Workshop: The Loose Threads of Liberation, November 13-14, 2026
Histories of visual art and decolonization have often focused on rupture, revolution, and resistance. Yet many artists work in the aftermaths and residues of such moments, confronting unfinished projects, deferred hopes, and unrealized futures past. This workshop is interested…
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The Absent Question Mark: How Have We Got Here?
Vasıf Kortun and Sezin Romi, How Did We Get Here: Reading Vasıf Kortun . Edited by Sezin Romi. Berlin: Archive Books, 2026. 288 pp. Few curatorial practices are as intimately bound up with the development of contemporary art in their geography as Vasıf Kortun’s. Any attempt to…
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The Venice Biennial: On Black Seas, Dead Waters, and Ghostly Archives
Art projects built on shock and sexuality, such as those presented by Austria or Denmark, have generated extraordinary buzz in the coverage of the 61st Venice Biennial. These projects do not, in my view, fully engage with what Koyo Kouoh, the late Cameroonian curator trained in…
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From Evidence to Experience: Revisiting the Documentation of Zbigniew Warpechowski’s and Raša Todosijević’s Performances with Fish
In the mid-1970s, Polish artist Zbigniew Warpechowski (b. 1938) and Serbian artist Raša Todosijević (1945–2024)—independently created works that, according to the photographic documentation, are strikingly similar. Warpechowski and Todosijević were artistic contemporaries within…
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Lunar Landing: Cosmic Themes and Feminism in the Works of Ester Krumbachová, Olja Ivanjicki, Kiki Kogelnik, and Evelyne Axell
On October 4, 1957, the Soviet Union launched Sputnik from the Baikonur Cosmodrome in Kazakhstan. The first artificial satellite remained in orbit for only three months, yet its brief trajectory set in motion nearly two decades of technological and ideological rivalry between…
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Security in Ruins. Review of the 61st International Art Exhibition La Biennale di Venezia
The 61st International Art Exhibition – La Biennale di Venezia , May 9 – November 22, 2026. This edition of the Biennale has been beset by dissent and protest, most notably worker strikes and the resignation of the jury protesting the participation of Russia and Israel. The…