Attack Magazine
Dance Music, Production and Culture
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Latest posts
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Is Private Equity Destroying Music Production?
Native Instruments was only the tip of the iceberg. Private equity is pervasive in the music production industry, tied up with hardware, software and music distribution companies. How is this affecting the music you make? Unless you’re big into finance, the first time you heard…
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The Best Photos From CRSSD Festival Fall 2026
As the sun sets on another CRSSD Festival, enjoy the best photos from a weekend of house and techno. Photo: @itskinderella Photo: @imkeiki Photo: @fixationphotography Photo: @itskinderella Photo: @philtaniphoto Photo: @itskinderella Photo: @itskinderella Photo: @imkeiki Photo:…
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Lars Huismann: “Instead Of Writing A Melody, I Use Filters”
With System Collapse out now on Dax J’s Monnom Black, Berlin’s Lars Huismann shows us around the attic studio where it was made. The eight-track release follows his 2024 Monnom Black debut, Mechanized, and the Sounds From The Past trilogy on Mutual Rytm. A trained drummer who…
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Create Syncopated 2-Step Grooves Like A Pirate
Inspired by the swung grooves that have travelled from home studios and pirate radio to global festivals, let’s see how to make tight, timeless 2-step beats. UK garage has seen a big resurgence, with names like Sammy Virji playing Coachella. But UKG is a broad umbrella, spanning…
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Who’s Buying All These Vibe-Coded Plugins?
Vibe-coded plugins are everywhere but does that mean that they’re actually taking over the market? We look at the trend and speak with two developers working with AI as part of their process. The age of vibe-coded plugins is undeniably upon us. They’re everywhere: blocky, dark…
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Manifest Audio Release Sonification Tools V3 As VST3, AU, And CLAP Plugins
The data-driven suite arrives as a cross-platform plug-in bundle with AU/CLAP/VST3 formats, plus an Ableton Live Extension. Manifest Audio has released Sonification Tools v3 for $199, on sale for $169 until 1 November, 2026. A ground-up rebuild of their data-driven Max for Live…
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Ben Turner: “It’s A Thin Line Between True Curation And Gatekeeping”
Ben Turner on why promoters have no excuse left, and why nurturing new talent is a long-term investment. Debates about representation in electronic music tend to get heated fast. Comment threads and panel soundbites distort arguments that deserve more space, whether that's about…
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How I Play Live: Active Systems
Active Systems plays live with no laptop in sight: a Cirklon sequencer at the centre, four Intellijel Atlantix modules on bass duty and a 909 keeping time. After sets at Lost and Houghton and the release of The Red EP, we talk pattern-based performance, backup rigs, forced…
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Beatport Launches Indie Tech Genre Category
Beatport has launched indie tech, a standalone genre category with its own Top 100 chart, separating it from indie dance. Beatport has added indie tech to its store as a standalone genre, giving the heavier, club-focused strand of contemporary indie dance its own page and chart.…
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Synchro Arts VocAlign 7 Pro Review: Come Together
VocAlign 7 is the latest version of the popular and long-running vocal alignment software. It’s as good as you expect, but does version seven bring enough new features to the table to make it worth the upgrade? Since 1995, Synchro Arts have been making vocal alignment a little…